Spun Gold TV Nominated at BAFTA TV Awards 2019

The British Academy of Film and Television Arts (BAFTA) have announced the nominations for this years 2019 Virgin Media British Academy Television Awards. These awards reward the very best in television craft and television programmes broadcast in the UK in 2018. The awards ceremony will be held at the Royal Festival Hall on Sunday 12 May with the British Academy Television Craft Awards taking place two weeks earlier on Sunday 28 April at The Brewery, London.

Spun Gold TV has been nominated in the category Best Reality & Constructed Factual for The Real Full Monty: Ladies’ Night.

All other categories and nominees can be found here:


Travelling Blind review – a touching journey that leaves tweeness at home


The beautiful relationship between blind entrepreneur Amar Latif and his sighted guide, comedian Sara Pascoe, elevates this frank and funny travelogue

Amar Latif, an entrepreneur who lost his sight 25 years ago at the age of 18, set out for Turkey with the standup comedian Sara Pascoe as his sighted guide. He is a seasoned, gregarious traveller and man of insatiable curiosity and optimism. She is a solitude-loving homebody who doesn’t even like spicy food and prefers to hide in her hotel whenever she goes abroad. We had the statutory opening shots emphasising their differences: him selecting and immaculately packing his holiday wardrobe and enthusing about the coming journey; her clambering over her unmade bed wondering what she should take. You know the drill.

And then, suddenly, as the pair touched down in Istanbul, the programme seemed to find a different and much better groove. It was still an odd-couple pairing, but one we hadn’t seen before and which soon began to make use of its potential to explore new emotional and psychological territory.

Detouring to the Grand Bazaar on the way to their hotel, Pascoe is eager to reach the latter. But she must slow down so her companion can experience everything around him. Pascoe watches anxiously as he picks up and sniffs fruit (“I’m so afraid of being told off … He’s hands and nose straight in”) and gradually learns, as a sighted person who “doesn’t have to build from ground to sky to know what’s going on”, how much detail she needs to provide for Latif to add the physical world to what he can smell, hear and taste.

Once she knows, she applies herself wholeheartedly to the job and – as you might expect from someone who depends on making her audience see the joke for a living – she is able to evoke the various weird and wonderful activities and landscapes they come across so that Latif can understand what surrounds him. Not that watching oil wrestlers – all in black rubber trousers, trying to reach the handles inside them and flip each other over – doesn’t present a challenge. “It’s like … frogs mating,” says Pascoe eventually. And it is.

Pascoe is intrigued – as I suspect are we all who share her introverted persuasion – by the endlessly, genuinely charming Latif’s attitude and his perennial enthusiasm for life. He founded the company Traveleyes which, as here, pairs sighted with non-sighted travellers for group holidays, when he realised there was nothing out there that could meet his needs. “I was shy,” he says. “But blindness changed me.” After going blind at an age when his peers’ lives were starting to expand, he fought off the depression that threatened to consume him by deciding he would start saying yes to everything. “Because if I don’t keep moving, I’m going to end up back in that dark place, and I don’t want to go there.” It is a tearful, honest, underplayed confession and deeply touching. As is the moment when they are present at a mountain sunset and he says: “These are the moments when it’s shit being blind.” He notes that it has been so long since he saw a sunset that, like the faces of his parents, it is beginning to slip from his memory.

Their relationship – frank, funny, fond – is strengthened as they go. Latif can feel the strength of a hand-built platform full of hives and persuades Pascoe, terrified by its rickety look, up there to hear the “motorway of bees” buzzing atop it. She can tell him that the bull he hears passing them on an alpine farm has “testicles the size of your head”. And sometime she can tell him that a place is so beautiful she doesn’t have words for it. “I wish you could see it.”

I feel almost the same about the programme. The two of them and their chemistry and compassion without sentiment made it beautiful and it’s hard to capture how without introducing a tweeness that simply wasn’t there. All the pitfalls were sidestepped. They learned from each other, but it didn’t feel like life lessons were constructed for the camera. It didn’t feel like a disability was being exploited or patronised (helped greatly by Latif being the kind of presence you just want to up and follow as an abject devotee wherever it leads), or used to say: “Hey, they’re not different from us!” Or that someone’s suffering was being pressed into the service of self-improvement for another. Or any of the other infuriating ills that such setups are generally heir to. So – I wish you could see it. Head to iPlayer, please, and you can.


Spun Gold TV win at the RTS Programme Awards 2019

The Royal Television Society has announced the winners of the RTS Programme Awards 2019 in partnership with Audio Network this evening by comedian Shappi Khorsandi at London’s Grosvenor House Hotel.

Guests in attendance included the cast of Hollyoaks and Coronation Street, star of Killing Eve and Actor (Female) winner Jodie Comer and legendary actress Lesley Manville, who picked up the award for Comedy Performance – Female for Mum.

Jodie Comer’s iconic performance in Killing Eve won her the Actor – Female award, with Lucian Msamati winning the Actor – Male award for his harrowing and extraordinary portrayal of Tobi in Kiri.

Mum won two awards during the evening with Stefan Golaszewski winning the Writer – Comedy award, and Lesley Manville winning the Comedy Performance – Female which was described by judges as having set a “new benchmark for excellence In this genre”. The winner of the Comedy Performance – Male went to Steve Pemberton and Reece Shearsmith for their “astonishing and committed” performances for Inside No. 9.

Derry Girls took home the award for Scripted Comedy while The Last Leg won the Entertainment Programme category, with Big Narstie and Mo Gilligan winning the Entertainment Performance award. Romesh Ranganathan took home the award for Presenter for The Misadventures of Romesh Ranganthan, with Osi Umenyiora winning the award for Sports Presenter, Commentator or Pundit for his work on NFL This Week and The NFL Show.

Described as an “exciting new talent destined for an exceptional future”, Nabhaan Rizwan took home the RTS Breakthrough Award for his incredible performance in Informer.

Sky Atlantic’s Save Me was recognised in two separate categories: Drama Series and Writer – Drama for Lennie James. The show was praised by judges for “its authenticity as a series, and captivating performances throughout.”

The past year has seen some truly captivating documentaries created, giving audiences much-needed insight into issues affecting both people and the planet: Channel 5’s Raped: My Story won the Programme Award for Single Documentary, alongside Channel 4’s Prison which took home the award for Documentary Series. Drowning In Plasticwon the award for Science and Natural History with A Dangerous Dynasty: The House Of Assad winning the award in the History category. The Real Full Monty: Ladies Night won the Formatted Popular Factual category.

The Live Event award went to the BBC’s The Royal Wedding: Prince Harry and Meghan Markle, and Match of The Day 2018 World Cup: Quarter Final – England VS Sweden won Sports Programme Of the Year, described by judges as “capturing the intense emotion of the occasion”.

Continuing their winning streak, the BBC’s A Very English Scandal won the award for Mini-Series for its “excellent peformances and relevance” while the award for Single Drama went to Killed By My Debt for its expertly told tale. CBeebies took home the award for Channel Of The Year.

The RTS proudly presented its prestigious Judges’ Award to Ben Frow, the transformative Director of Programmes at Channel 5. The panel praised Frow’s “passionate and transformative” approach to the channel since taking it over in 2013, increasing the audience by a full five percent over his tenure.

The winner of the Programme Award for Soap and Continuing Drama went to Hollyoaks, which blew the judges away this year for its performances and content.

Finally, presenter Lorraine Kelly received the Outstanding Contribution to British Television award.

The RTS Programme Awards seek to recognise programmes which, in the year in question, have made a material and positive contribution to their genre: either because their originality in form or content has in some way moved the genre on, or perhaps created a new genre; or because their quality has set standards which other programme-makers can learn from and emulate.



Spun Gold TV Nominated at the RTS Programme Awards 2019

The RTS Programme Awards are one of the gold standard awards for our industry and an important showcase of the extraordinary talent evident across the UK’s television industry.

The awards seek to recognise programmes which, in the year in question, have made a material and positive contribution to their genre: either because their originality in form or content has in some way moved the genre on, or perhaps created a new genre; or because their quality has set standards which other programme-makers can learn from and emulate.

The Awards will be presented at the Grosvenor House Hotel, Park Lane, London, W1K 7TN on Tuesday 19 March 2019.

We are so proud that Spun Gold TV has been nominated in two categories. Best Formatted Popular Factual for The Real Full Monty Ladies Night on ITV AND Best Live Event for The Real Full Monty Live for ITV.

You can find all of the other categories and nominees on the RTS website.

Travelling Blind image

New BBC2 doc Travelling Blind explores what it’s like to travel the world without sight

AT the age of four, Amar Latif learned he would be blind by the time he was an adult.

When his sight went, he decided to travel the world and got a ticket to Canada. In 2004, Amar set up his own company that pairs blind tourists with companions to help them explore the globe.

In new BBC2 documentary Travelling Blind, Amar asks comedian and self-confessed nervous traveller Sara Pascoe to accompany him to Turkey.

What unfolds is a funny but poignant exploration in which Amar opens her senses to a different way of travelling.

Amar says:

NEVER travelled before I went blind at the age of 18.

It was a condition called RP, or retinitis pigmentosa, and my parents had been told when I was four I would go blind in my teens.

Everybody around me kept saying, ‘You’re blind now, you can’t leave the house alone’, and I felt claustrophobic. I wanted to study abroad, so I went off to Canada.

Over the next few years I tried to continue travelling but I found no travel company would let me, or I’d struggle to get insurance.

I was told I had to bring a carer. But I didn’t need one, I just needed a sighted companion.

So I set up my own company in 2004 called Traveleyes, which pairs blind people with sighted.

The sighted people get a 50 per cent discount in exchange for being the eyes for blind travellers.

With a sighted partner explaining everything, I end up with such a vivid image of what’s going on.

You also listen to sounds and take in smells and tastes and focus on different senses.

Sight is only one sense — that is easy to forget. I enjoy travelling because I love meeting new people and I take risks.

I go skydiving and I’ve skied down black runs. Sara, on the other hand, is risk averse. We came up with this idea to go away together.

I would help her to interact and be braver, and she could help bring the sights to life by describing them.

She described everything brilliantly, from Istanbul’s Grand Bazaar to oil wrestling, a sport in which men wear leather trousers, cover themselves in olive oil and throw each other to the ground.

As the journey went on, she relaxed. I think the experience was beneficial to us both. When I lost my sight I thought my world had ended but it’s great that I can still travel and give something back to people who can see.

Sara says

I USUALLY travel for work, so I am organised but not an adventurous traveller.

In fact I feel quite shy when I go away. I don’t explore in any chaotic way. Generally in life I’m a scaredy cat. I don’t like scary films or spicy food, and I don’t want to jump off something high — ever.

So I was worried about travelling with Amar, about travelling with someone I didn’t know, let alone someone who was relying on me for descriptions.

I was worried I wouldn’t have the right language to do it justice and that I’d ruin his holiday. I’m also very clumsy, so ­worried about getting him run over or something. But it was a great experience.

When I first get somewhere, I normally head straight for the hotel and hide. Amar was very open to chatting to people and he pushed me out of my comfort zone. We met many lovely people and I learned that to get a really good experience out of travelling, I have to talk to them more.

Amar knows how to seek out the fun, while my usual method is to avoid it. Most of us are afraid of getting told off, whereas in the bazaar he just put his hands and nose out and touched people’s silk scarves and their dried tea.

He got stuck in, which made for a more fun experience. Everything is interesting to him, things that we would take for granted.

It was good to compromise, too. There were things we did which I thought would be boring. But because of how he processes the world, it forced me to be very “present” and slow, which meant I had some wonderful, completely surprising moments.

Amar is trusting and brings out this warmth in people. It was inspiring. Next time I go away I’ll appreciate the slowness I’ve learned, and push myself to be braver.

I’ll try to find experiences that  aren’t just about “the sights”.


From: https://www.thesun.co.uk/travel/8547531/bbc2-travelling-blind-tourists-without-vision/

TV review: Paxman on the Queen’s Children

James Jackson

Jeremy Paxman’s droll look at the royal offspring was the most entertaining thing on Channel 5 in years

Paxman on the Queen’s Children
Channel 5

Documentaries about our incumbent royal family tend to fall into one of three camps: the Buck House puff-docs that show us the charitable work our good Windsors do; the scurrilous Channel 4 ones implying how the horrible old firm used to treat inconvenients (“Kanga” Tryon, say, or Diana); and the clip-heavy, mildly gossipy canters through a royal’s love life (most recently, Princess Margaret’s).

The ones in the last group are the most watchable because, let’s be honest, what the great British public — tabloid readers and The Crown viewers alike — get off on when it comes to royalty is the sheer soap opera of it all. Yet, as Paxman on the Queen’s Children is showing, they need a certain presenter — someone who can combine mild disdain and amused incredulity to the point of out-and-out comedy — to make them really fly. Such as, indeed, Jeremy Paxman.

“Charles, Anne, Andrew and Edward were conceived and born in the same way as most of us, but let’s be frank . . . they’re different,” began the old inquisitor, wearily and correctly. Later, he listened to a Nolan sister’s 1970s pop ode to Prince Andrew, Andy (By Coleen), declaring with a look of disbelief: “It is absolutely appalling!” With politics off his back, Paxman seems to be having a lot more fun — and at one point even lay back on the sofa with his interviewee to gawp at old photos of Charles with his top off.

Paxo is no longer a sneery republican, though, and his overall point was a sympathetic one: Charles and siblings were paraded for the cameras from birth as a kind of PR experiment, so it wasn’t their fault that their inevitable romantic mistakes became “a blood sport on the front pages”. Of course, analysis of said blood sport provided all the levity here too.

The young royals were stuck in an impossible situation, between toeing the Palace line and having a libido. “Princess Anne too?” Paxman asked, eyebrows shooting up, of the suggestion that Anne “had a lot of fun” as a hot horsey babe. There was also the royally minted anecdote from Charles’s uni pal that the prince — ever the joker — was so unimpressed by his potential brides that he quipped: “Shall I go gay?”

Amid this feast of epigrams and insights, or “randy Andy” and Koo — this really was the most entertaining thing on Channel 5 in some time — was it wrong to start feeling an odd nostalgia for the good old days of naughty love lives and the ridiculous It’s a Royal Knockout (“Fergie’s team just cheated from minute one,” we heard)? Days before the Palace PR machine got that much slicker and the royals that much more vanilla. Philip aside, that is.

Either way, you were left wondering what the “royal foursome” would make of Paxo’s opening assertion that: “Years of interviewing people making their way up the greasy pole of politics has led me to the conclusion that the job of representing the country should be kept out of the hands of those who want the job.”

A Very Modern Grand Hotel

The team behind the hit documentary series Inside Claridges have turned their cameras on London’s Corinthia

Do you get a decently stocked minibar when you book the Royal Penthouse, the finest suite at the Corinthia Hotel, just a step from London’s Trafalgar Square? Don’t be daft.

There’s nothing mini about the full-sized bar that comes as part of the package. It’s stocked with the finest cognac and champagne. Oh, and the suite also has its own wine cellar should you require a specific tipple.

The scale of the place becomes apparent when your personal butler points out the internal lift that whisks you between floors. Yes, floors, plural.

So how much bang do you get for your buck in a place like this? Well, for starters you get four bedrooms, a dining room that seats ten, an office where there are not one but three TV screens on the wall (hotel manager Thomas Kochs suggests guests who stay here like to keep up with the stock markets) and your own private spa.

Every piece in these rooms has been hand made. The dining table is Makassar ebony, the bed frames are walnut, and the expansive bookshelves are leather-lined. Oak parquet floors run throughout, and bouquets of fresh flowers are everywhere.

So, what does it cost to stay in a place like this? Well, this suite will set you back £22,000 a night.

The Corinthia is the latest of the big London hotels to open its doors for the fly-on-the-wall documentary treatment.

Award-winning filmmaker Jane Treays, the woman behind the hugely successful series on Claridges (in which Mr Kochs, then the general manager at that hotel, became the break-out star) who has also made films on the Queen and the Duchess of Cornwall, was the obvious choice to direct the two-part production.

This is an extraordinary programme, delivering not just the gawk factor, but offering an insight into London’s hotel wars, where the big high-end establishments compete to attract the monied guests coming to the capital in their droves.

‘I wanted to explore how a hotel like the Corinthia, which doesn’t have the years of tradition of somewhere like Claridges or The Ritz, can compete,’ says Jane. ‘It’s a modern hotel – and this is a modern dilemma about how to be relevant in a fast-changing industry.’

The Corinthia, open for just seven years (the premises used to belong to the Ministry of Defence), does compete, certainly on the celebrity guest front. One who arrives during filming is former US President Bill Clinton who, true to form, makes the housekeeping staff swoon a little.

President Clinton doesn’t allow the cameras to have a peek into his suite, but The Voice judge will.i.am does. The Corinthia is will.i.am’s home when he’s in London (this time he is booked in for ten weeks) but he’s picky about which suite he prefers.

The Royal Penthouse is (mercifully for his accountant, perhaps) ‘too big for me’, he explains. ‘If Beyoncé was here, she’d be in the Royal Penthouse.’ His favourite is the Musician’s Penthouse, which has a grand piano.

The actor Cuba Gooding Jr is another long-term guest. He’s been staying at the Corinthia during a stint on stage in the West End, and admits to conflicted feelings about hotels.

He tells the story of when his mum and dad split up, he had to flit from hotel to hotel, and made a vow to himself that when he was a grown-up, he would never ever stay in another hotel. ‘And I’m back in these damn hotels,’ he grins. ‘But they are so much nicer.’

While the famous faces give this documentary the glamour factor, it’s the staff who give it its heart. There are 500 people employed in the hotel, from 54 countries.

‘What struck me was the pride they take in their work,’ says Jane. ‘In the UK we can be sniffy about the service industry. That baffles them.’

It is extraordinarily touching to hear how Yvette, who came to the UK from Bulgaria, regards her work. Her first job in this country was as a strawberry picker, then she started as a room attendant at the Corinthia, and has since been promoted to first floor supervisor.

Yvette is a documentary-maker’s delight, complaining that her smart grey uniform makes her look like her grandmother, and explaining that she regards the rooms she is in charge of as her daughters. When a guest leaves a room in a state she thinks of it in terms of her ‘little one being a teenager’.

Among the local staff is Kevin, a lawyer who takes three afternoons off work each week to play the piano for guests enjoying afternoon tea. Actually, afternoon tea is one of the most pressing issues at the hotel.

While the cameras are furiously filming as new resident chef Tom Kerridge settles in – another big signing, aimed at attracting the celebrity clientele – they are also in evidence at the meetings held to discuss the new afternoon tea menu.

Afternoon teas, it seems, are another battleground in the London hotel wars, with the big establishments vying for that particular market. Cue an overhaul here, with some very, very protracted meetings about sandwiches.

Jane laughs. ‘I asked what there was to discuss about sandwiches, and was told ‘a lot’. There’s the softness of the bread, the ratio of filling to bread, how traditional the filling needs to be.

‘I think it shows the extraordinary attention to detail that goes into running a hotel like this,’ she says. ‘Nothing is left to chance.’

Even the tea selection borders on the obscene. Guests can choose from 26 varieties, the leaves are weighed out on antique scales and the teacups… well, they’re gold-plated. Naturally.

Source: Mail Online

Spun Gold Shortlisted For Two Broadcast Media Awards – Best Indie and Best Popular Factual category

Harry Hill will host the 2019 Broadcast Awards, which take place at London’s Grosvenor Hotel on 6 February 2019.

BBC1 is to battle its PSB rivals as it seeks to retain its crown as Broadcast’s Channel of the Year. It is up against sister channels BBC2 and BBC3, as well as ITV, Channel 4 and Channel 5, for the title at the Broadcast Awards 2019.

The Best Independent Production Company shortlist pits Bodyguard producer World Productions against fellow scripted indies Sid Gentle Films and The Forge, plus unscripted producers CPL Productions, Fulwell 73 and Spun Gold.

Best Independent Production Company

Sponsored by Barclays

CPL Productions

The Forge

Fulwell 73

Sid Gentle Films

Spun Gold

World Productions

Best Popular Factual Programme

Celebrity Hunted
Shine Television for Channel 4

Gogglebox Series 11
Studio Lambert for Channel 4

The £1 Houses: Britain’s Cheapest Street
Topical Television for Channel 4

The Misadventures of Romesh Ranganathan
Rumpus Media for BBC Two

The Real Full Monty: Ladies Night
Spun Gold for ITV

The Repair Shop
Ricochet for BBC Two

Women’s Full Monty saved two lives: Victoria Derbyshire in emotional meeting with women who spotted cancer after breast check plea

Victoria Derbyshire can vividly remember the moment the email arrived in her inbox. “Dear Victoria,” it read. “I want to thank you for saving my life.”

They were the words of Margaret Witts, who felt compelled to write to the journalist after she stripped off for the fundraiser The Real Full Monty.

The 86-year-old had listened to her on-screen plea to women to check their breasts and was shocked to find a lump, later diagnosed as cancerous.

“When the email dropped, I remember saying out loud, ‘Oh my God’,” Victoria tells the Mirror.

“One, the shock that someone else has breast cancer but two, a feeling of, ‘Thank goodness she checked herself after watching The Real Full Monty’.”

The TV presenter was staggered when, a short time later, she received a second email. “Marin Marshall, who was in her early 50s, told me a very similar story. She checked herself the next day, too, and within days she too was told she had breast cancer.

“She’s already had surgery. It was a similar emotion, I couldn’t believe it.”

Victoria had a special reason for stripping off for ITV’s show in March, with stars including Loose Women’s Coleen Nolan and comic Helen Lederer . In 2015 Victoria, who has two sons with BBC editor husband Mark Sandell, learned she had breast cancer.

She broke the news on Twitter and posted video diaries during her six rounds of chemotherapy, 30 doses of radiotherapy and a mastectomy.

Victoria hoped to reassure other women dealing with the devastating diagnosis and “demystify” treatment. During chemo, she told of feeling like she had a “severe hangover” and said it left her “drained and low”.

After receiving the emails, Victoria decided to meet up with Marin and Margaret. This will be shown today on the Victoria Derbyshire programme.

She says: “When I first saw Marin, she started crying. I gave her a massive hug. Then we drove to meet Margaret near Birmingham. Margaret was very composed and potentially still in shock, as she has surgery to come.

“Really touchingly, they were both grateful I talked about my symptoms on the show, and they found the same.

“They were numb as they had both been diagnosed within weeks, but so grateful.” In moving scenes, Victoria clasps hands with the women as they share stories. Recalling sitting down to The Real Full Monty, Margaret says: “I got a nice big glass of sherry, put my feet up and put a blanket over my legs.

“I laughed and I cried with you. And then, at the end of the programme, it flashed up to check my breasts.

“If I hadn’t, I’d have been none the wiser. It’s amazing what you did.”

She is having a mastectomy next week. Marin, who has had a lumpectomy, agreed that without Victoria stripping off, she too would still be in the dark.

She says: “Because of you bravely talking about it in front of goodness knows how many people, we both did something. I don’t believe I would have done something about it [otherwise].” She adds: “How does it make you feel knowing what you did had this effect?”

Victoria replies: “That’s a really hard question. I’m really sorry that you have, and have had, breast cancer. But I am also really glad that you took the message from the programme.

“You found something, but thank God you did; you very soon will be good, then hopefully you can get on with the rest of your life.

“I’d like to say to you good luck, loads of love, loads of strength; you know you have it in you. We are here for each other when you need it.”

Victoria has kept in constant contact with the pair. She tells the Mirror: “Margaret and I have been emailing loads and on the phone. Marin and I have shared lots of emails. I feel we can all support one another.” In The Real Full Monty, Victoria broke down in tears at their first rehearsal, saying: “This is so out of my comfort zone.

“This is day one, what the heck? I haven’t cried for ages about having cancer, or my body or whatever.”

After visiting the Moulin Rouge strip club in Paris on the TV show, she said she no longer wanted to do the topless routine to raise awareness of cancer.

But she bravely went ahead, and says all the tears were worth it. “We had no idea that women would take the message from the programme.

“People were saying they had the letter for the mammogram appointment in their drawer and they were now going to go. They’d ignored it until now. It seems to be having the desired e ffect. Thank God they have checked.”

Source: Mirror Author: Tom Bryant

Jane Treays preps Camilla Portrait for ITV

Spun Gold doc will be the first with full access to the future Princess Consort.

Camilla, the Duchess of Cornwall, is to be the subject of an ITV documentary from renowned filmmaker Jane Treays.

The Real Camilla: HRH The Duchess of Cornwall, produced by Spun Gold TV, will be the first documentary with full access to the future Princess Consort.
Treays, who was also responsible for directing ITN Productions’ The Queen’s Green Planet which aired to 5.2m on ITV this week, shot the film throughout Camilla’s 70th year.

Due to air this spring, her latest effort will include scenes of decorating the Christmas Tree in Clarence House and welcoming pensioners for tea, taking rainy walks in Scotland with her pet Jack Russell terriers and dancing to Elvis songs with the Prince of Wales.

The film will also show Camilla working with some of the charities she supports.

It is the latest royal show produced by Spun Gold, which also produced recent Channel 4 seven-parter The Royal House of Windsor and ITV’s When Phillip met Prince Philip as well as coverage of The Queen’s 90th Birthday in 2016.

The Real Camilla will be exec produced by Juliet Rice and Nick Bullen.

Controller of factual Jo Clinton-Davis ordered the show, which will be distributed by All3Media International.

Clinton-Davis said: “With candid interviews with The Duchess and HRH The Prince of Wales, family, friends and the people who know her best, The Real Camilla provides a unique insight into the life, relationships and work of The Duchess of Cornwall.”

Executive producer Rice added: “Viewers will see the private side of Camilla they’ve never seen before.”

Source: Broadcast